Warning: Contains Minor Spoilers For Both The Original Series And Issue #1 Of Doomsday Clock.
Never was a truer word said Doc… since DC Comics and sensational scribe Geoff Johns are once again returning us to the dystopian landscape of Alan Moore, Dave Gibbons and John Higgins’ original groundbreaking 80’s maxi-series.
I am a self confessed Watchmen fanboy, it is without a shadow of a doubt my favourite comic-book series of all time. When I first read Alan Moore’s trailblazing series in 1986, I was blown away, it was a unique and contemporary take on the Superhero genre, a treatise on social anxiety and a complete deconstruction of traditional Superhero conceptualisation, it was different in every single way possible to everything that came before it, and is almost single-handedly responsible for completely transforming the face of the comic-book medium for future creators and readers… a veritable masterpiece.
Since that time we have been regaled with a scant few other forays into Moore’s apocalyptic vision, from director Zack Snyder’s masterful cinematic adaptation in 2009, a motion comic version of the original series also released in 2009 to coincide with the film, through DC’s prequel series ‘Before Watchmen’ released in 2012. And though some fans revelled in the new material presented to us (myself included) others believed that the original story should have always been left as a standalone project, with whom co-creator Alan Moore has always sided.
I personally believe that any beloved piece of creation, be it film, novel and comic-book should always be given a chance to grow and present itself to a new and modern audience, Snyder’s movie was the first instance of this for Watchmen, opening up the material to new fans, but at the same time being honest and respectful to Moore’s original vision. Watchmen is a world that has so many more tales to tell, and even more lessons to bestow upon its readership, and with Geoff John’s new 12 issue ‘Doomsday Clock’ series DC are doing just that… oh, and it also means a return of irascible masked vigilante – Rorschach, but not in the way any of us were actually expecting!
Doomsday Clock #1 is our first foray back into the pandemonium that is the world of Watchmen, a direct sequel to the iconic 80’s series, and as controversial as that seems to some fans, as I stated earlier, I’m more than happy to once again step into the chaotic and dystopic world of the titular crimebusters. Sequels, movie adaptations etc do not dilute the original works, and if done correctly can only add more layers to the existing whole, plus if the idea of a Watchmen sequel is in any way sacrilegious to you, then you can always ignore it and continue to enjoy Moore’s sterling original tale in all its well deserved glory.
The series is initially set seven years after the end of the original story, it’s 1992 and the world is still in turmoil after the event set into motion by Ozymandias, but, with his scheme now laid bare, the world is once again on the brink of nuclear armageddon. With this premise Geoff Johns and artist Gary Franks effortlessly transport us back to the wonderfully dark and grimy world set up by Moore, stylistically the comic evokes the original material beautifully, from the dialogue set through to the originals nine panel grid layout, visually this feels perfectly at home with its predecessor.
And I haven’t even mentioned the ‘Rebirth’ connection to the DC Universe that started this soon to be iconic pairing of two distinct comic-book worlds, if you have been following along with the unfurling tale of Doctor Manhattan and his apparent meddling with the classic DC heroes, then prepare yourself for a series that will hopefully snake its eventual way to the answers behind the cryptic clues already let loose.
If you’re a fan of Watchmen, and can get past the apparent controversy that a sequel to the seminal original exists, then I say definitely pick this up. Johns has presented to us a well written, dark, but at times, also amusing return to the world of masked vigilantes, chaos and deep rooted fears and anxiety, and I for one am glad to continue my protracted stay in its fatalistic presence. Recommended.
My copy of Doomsday Clock was purchased at my very favourite comic-book emporium – Final Frontier, located in Fore Street, Exeter in the UK.
Watchmen And Images Copyright: DC Comics.
“Rorschach’s journal – April 6, 2016. Seven years ago I starred in one of the greatest cinematic triumphs of all time. In it the streets were extended gutters, and the gutters were full of critics, and when the drains finally scabbed over, the fans looked up and shouted save us, and Zack Snyder whispered “Yes”.
Seven years ago today, the greatest piece of comic book fiction ever wrought was finally released on film by visual auteur Zack Snyder. His triumphant cinematic reworking of the supposedly unfilmable comic series from the eighties was hailed by the fans as a masterpiece of modern dystopian Superhero cinema, but received tepid reviews from critics (Mmmm, now this seems familiar).
(Warning: Spoilers ahoy)
The Watchmen limited comic series was released by DC Comics in 1986, it was a collaborative effort of three superstar British comic book creators, Writer Alan Moore, Artist Dave Gibbons and Artist/Colourist John Higgins. Moore originally posited to DC that he wanted to use their acquired Charlton Comics characters as the basis for the story, but DC’s managing editor of the time Dick Giordano, persuaded Moore to create new characters instead, as the usage of DC’s now integrated (into the DC universe) Charlton heroes would have rendered them almost unusable in future timelines because of the direction they would have taken as a result of Moore’s suggested storyline.
Alan Moore is widely regarded as the greatest comic book author of all time, apart from Watchmen, Moore also introduced us to V for Vendetta, Batman: The Killing Joke and The League Of Extraordinary Gentlemen, but it is Watchmen that propelled Moore to the rank of numero uno in the highly competitive comic book market.
Alan Moore’s writing usually takes a dark and dystopian route through pre-existing tropes, subverting and twisting characters to fit into his alternate timelines. Watchmen is a satirical look at superheroes, that reflects the era it was written, be it through the politics of the time (80’s Britain was a particularly political hot-bed) or emerging trends and people’s apprehension of the future.
Watchmen is set in an alternate 1985, and follows masked vigilante Rorschach as he and other retired members of the Superteam – Crimebusters, investigate the murder of one of their former colleagues – The Comedian. In Moore’s universe, costumed heroes first appeared in the 1940’s, and were a collection of former Police officers and disgruntled citizens who ‘masked up’ to take down an increasing number of criminals who had taken to wearing costumes to disguise themselves from recognition.
In the early eighties with the world on the brink of a nuclear holocaust, and with an outcry by the general populace against masked vigilantes, costumed heroes were outlawed, and most faded into retirement or (in the case of the Comedian and Dr Manhattan) went to work covertly for the Government. Rorschach though continued to fight crime unsanctioned, wanted by the Police he refused to abandon his principles and castigated his former team-mates for their cowardice in the face of the costumed vigilante ban.
After the murder of The Comedian, Rorschach manages to convince former team-mates, Nite-Owl II and Silk Spectre II to come out of retirement and help investigate what he believes is a conspiracy to kill members of the Crimebusters. Moore’s take on Superheroes is not for the faint of heart, it is a mature and sometimes shocking take on a popular medium, set in a totalitarian, regressive society consumed with fear and anxiety.
Unto this premise comes visual mastermind director Zack Snyder, riding high on his successful conversion of Frank Miller’s “300” graphic novel, he set his sights on DC’s Watchmen, and in 2009 presented us with perfection in comic book to film form. His film mirrored its source material beautifully, condensing the story somewhat, but still supplying every nuance and important depth of plot that the original comic series conveyed. His choice of actors were astonishingly close to their fictional selves, especially the casting of Jackie Earle-Haley as titular protagonist Rorschach. This film has ultimately become the cornerstone of Zack Snyder’s career, only recently equalled (in our humble opinion) by his take on DC’s Trinity in Batman v Superman: Dawn Of Justice, which shares many similarities to Watchmen in both tone and visual style.
Seven years on and Watchmen is now more highly regarded amongst its former critics, still loved by the fans and is one of the first ‘R’ rated (18 rated here in the UK) Superhero movies, long before characters like Deadpool were ever conceived for the big screen. Snyder’s film is visually enthralling, deep and concise in its portrayal of the original classic series, as much a must watch now as it ever was, not only one of the greatest comic book movies of all time… but literally one of the greatest movies of all time!
Who Watches The Watchmen?… You Should!
Ah The Comedian, love him or hate him (probably the latter would suit, he’s not exactly a shining bastion of morality) you have to admit he was a larger than life and rather mesmerising personality. And almost exactly thirty years ago he was murdered, some may say his end was justified through his amoral actions, others would argue that he was just a product of his age who did everything he could to keep society from imploding inwards, I personally believe he couldn’t give a damn what anyone thought of him, he did what he wanted and woe betide anyone who disagreed with his actions.
The Comedian was born Edward Blake in 1918, very little is known of his earlier years, more than likely covered up by one of the many covert Government sponsored black-ops teams he worked with over the decades. What is known though is that he began his costumed crime fighting career in 1939 with the moniker The Comedian, though the rather jolly sounding name and frequent smile masked a violent and unpredictable personality, with a love of brutality and mayhem, in fact Hollis Mason, the first Nite-Owl described him as “A particularly vicious and brutal young man.”
For all his negative qualities though, he was a particularly effective crime fighter, feared and respected by his enemies… though mainly feared. He is also one of only two masked adventurers who was a member of both the original Minutemen and The Crimebusters (the other being Captain Metropolis.)
Blake’s actions were often unethical, and at times downright evil, he was in reality no better than the criminals he fought. His violent end is something he foresaw way in advance, in fact some of his last words to his mysterious assailant (read the comics or watch the movie for the answer to that one my friends) were, “Just a matter of time I suppose,” he understood that violent men ultimately succumb to a violent death.
Edward Blake, The Comedian: Born 1918 – Died October 11, 1985.
“Justice is coming to all of us no matter what we do. You know, Mankind’s been trying to kill each other off since the beginning of time. Now we finally have the power to finish the job, ain’t nothing gonna matter once those nukes start flying, we’ll all be dust. And Ozymandias here will be the smartest man on the cinder” – The Comedian.
To an interminably die-hard Watchmen fan like myself, there can be no greater news than the live action return of Alan Moore’s fabled comic characters, and you know what, it’s looking like we are one step closer to seeing just that. Zack Snyder, director of the fantastic 2009 film adaptation of Moore’s groundbreaking graphic novel, has approached studio HBO with the (really rather marvellous) idea of a weekly Watchmen television series.
As to what form the series may take, it’s rather early to predict at this time, but considering we have already been treated to the original 80’s tale, the series would more than likely take inspiration from the 2012 comic prequel series “Before Watchmen.” These consisted of eight separate mini-series each following one of the main characters from the Watchmen and served as a forerunner to the original Moore series. Of course it could go the other way and create a wholly original story involving our volatile team of heroes, whatever form the show may take however, it is still exciting news. More Rorschach?… oh hell yes!
Watchmen Copyright: DC Comics