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Modern British Cult Cinema: Franklyn

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Franklyn paints a portrait of four lost souls – Jonathan Preest, a masked vigilante who seeks revenge against the overseer of the religious regime of Meanwhile City. Manic depressive Emilia, who concocts suicidal art performances. Forlorn Milo, who is desperately searching for his one true love, and Peter, who is investigating the disappearance of his missing son, an ex military veteran. These four lives intertwined by fate across parallel worlds eventually collide, as a single bullet determines their destiny.

Cast: Eva Green, Ryan Phillippe, Sam Riley, Bernard Hill, Richard Coyle, James Faulkner. Script by: Gerald McMorrow. Directed by: Gerald McMorrow.

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Franklyn is a visually rich and stunning film set across the dystopian landscape of parallel dimensions, Meanwhile City and contemporary London. It is within these dark ethereal perspectives that we encounter our four protagonists, each lost within themselves, and on an intertwined and fated path to ultimately affect each others lives, for good or ill.

Ryan Phillippe plays Preest, a masked atheist vigilante who resides in the religiously fervent Meanwhile City, a multi-faith metropolis that encourages the practice of all forms of religious reverence… except atheism. Cults and sects proliferate the city, and Preest has tasked himself with rescuing the unfortunate souls who have been kidnapped and converted into their nefarious schism. But tonight, on the rain sodden streets of this dark conurbation, loomed over by miles of cathedrals and temples, Preest is planning his revenge on the city’s religious rapture.

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Eva Green gives up an emotionally charged performance as Amelia, a gothic art student who is eternally embedded in a state of manic depression, rage and sorrow. Repeatedly committing attempts of suicide, for what she constantly tells herself is just part of her art project for her course, but each venture into self-sacrifice becomes decidedly more and more risky.

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Bernard Hill plays Esser, a father agonising over the disappearance of his estranged son, an ex military vet with psychogenic problems, with our quartet of protagonists rounded out by Milo, played by Sam Riley, a previously jilted spouse, whose life is thrust into emotional turmoil by the reappearance of his former childhood sweetheart.

When these parallel worlds eventually collide, a prescient bullet will inextricably change the course of these four strangers, linking their disconsolate lives in a single moment of coherence.

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Franklyn is a haunting rhapsody of gothic imagery, fantastic performances from the lead actors and a nonpareil story that slowly weaves itself from from four distinctly separate storylines into one beguiling twist that brings together the protagonists of the film, changing them irrevocably. 

Gerald McMorrow adapts his own script with a promising debut as a director, beautifully shot around various boroughs of London, with a solid and talented cast, and especially noteworthy performances from Eva Green and Ryan Phillippe. Franklyn is an evocative dark fairytale that provides a fascinating journey into life, love and loss. Highly recommended.

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300: Rise Of An Empire – 2014 Review

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(Warner Bros, 2014)

Greek general Themistocles rallies his meagre Athenian forces to stem the tide of the encroaching Persian army, led by God-King Xerxes and the vengeful Artemisia, commander of the Persian navy.

Cast: Sullivan Stapleton, Eva Green, Lena Headey, David Wenham, Rodrigo Santoro, Callan Mulvey, Jack O’Connell. Director: Noam Murro. Writers: Zack Snyder and Kurt Johnstad (screenplay), Frank Miller (Graphic Novel “Xerxes”)

300: Rise Of An Empire, the sequel to Zack Snyder’s 2006 film “300” is an interesting beast, the events in this notable follow up take place before, during and after the events of the original film. In fact the storyline is so dramatically and cleverly interwoven, that it almost feels like it’s a chapter of the original film that was removed for time constraints. What helps propel this image is its amazing visual presence that mirrors its forebear in both, gloriously vivid comic-book inspired violence and overtly stylised graphic continuity, and also echoes masterfully, writer/artist Frank Miller’s original graphic novel “Xerxes”.

Xerxes

Xerxes

The film opens at the legendary Battle of Marathon, which in continuity of the film franchise takes place ten years before the events of the original film. This battle is the catalyst of the upcoming war between the varying Greek city-states and the combined forces of the Persian army, with the heavily outnumbered Athenian shock troops taking the fight directly to the newly disembarked Persian soldiers, catching them off guard and securing an early victory for the Greeks.

During this engagement, Greek hero Themistocles, looses an arrow that will not only set the stage for Prince Xerxes transformation into the tyrannical God-King, but also his eventual march to gain ascendancy over the varying city-states of Greece. 

Themistocles at the Battle of Marathon

Themistocles at the Battle of Marathon

This opening battle sequence sets the precedence and tone for the rest of the film, but where Rise differs from its forebear is in its use of epic naval battles. With the heavily outnumbered but highly skilled and ingenious Athenian fleet, led by General Themistocles, meeting head on, the massive and overwhelming Persian armada controlled by the beautiful but malefic Artemisia, played wonderfully by actress Eva Green. Stunning and deadly, Artemisia takes centre stage as the protagonist of the film, and also the real power behind the throne held by Xerxes.

Epic sea battles abound

Epic sea battles abound

Themistocles is portrayed by Australian actor Sullivan Stapleton, and though he ultimately is not as memorable as Gerard Butler’s outstanding role as Leonidas in the original film, he still puts in an impassioned and engaging turn as the celebrated Athenian hero. Returning cast members include, Lena Headey, as Leonidas’ grieving widow Queen Gorgo, David Wenham as Spartan elite Dilios, and of course Rodrigo Santoro reprising his spectacular performance as the imposing God-King Xerxes.

Also returning to the franchise is original 300 director Zack Snyder, who shares credit with Kurt Johnstad for both the original screenplay, and as lead producer. Plus writer/artist, Frank Miller returns as executive producer and advisor.

Artemisia and her bodyguard of Immortals

Artemisia and her bodyguard of Immortals

Jam packed with amazing visuals, kinetic action sequences and ridiculously over the top, blood and gore, Rise of an Empire may not quite match its big brother in originality or acting splendour, what it does though is provide the viewer with a fantastically well produced sequel that is in equal measures, engaging, violent and epic in scale.

Special mention must go to the fantastic end credits, that mix the striking visual style of Frank Miller’s original graphic novel and a rousing end piece that is an almost perfect fusion of Black Sabbath’s War-Pig, and the films own main theme tune.

Spectacular end credits mimic artist Frank Miller's visual style perfectly

Spectacular end credits mimic artist Frank Miller’s visual style

Though not critically lauded, the film has a strong and fervent fan base (myself included) that are vocal in their defence of the underrated movie. Its initial opening weekend was successful, with the film regaining almost half of its original budget, and has gone on to surpass this via dvd and blue-ray sales. If you’re a fan of the original 300 but have been hesitant in watching this for fear of it being a poor sequel, dive on in, the film is highly recommended. Sublime visuals, good acting and hyper stylised, gloriously bloody battle sequences make for a fun popcorn movie that is infinitely rewatchable.

Precinct1313 Rating: 4 Hoplite Soldiers Out Of 5