Well now, how excited do you think we are right now here in the celebrated Comic Crypts of Precinct1313? I mean, I assume you’ve heard the rather awesome news, right? Batwoman is finally materialising into live action form… yep, Batwoman… how awesome? Much awesome fellow Agents, much.
CW, the company responsible for DC Comics’ vice like grip on small screen Superhero sagas are to add another of DC’s worlds finest creations to their burgeoning cast list in the form of Kate Kane, aka Batwoman. And, in what appears to be the finest piece of actor casting in recent history, they have also revealed that popular actress Ruby Rose will be donning the iconic black and red costume of Gotham’s titular anti-hero… anticipation overload in 3… 2…
Batwoman had been skirting the edges of the DC Universe since her original introduction by comic-book auteurs Bob Kane and Sheldon Moldoff in Detective Comics #233 in 1956. Kate (known as Kathy in her original form) was initially created as a female counterpart and love interest for Batman to refute the idea that the Caped Crusader had homosexual tendencies. An unfortunate and rather disturbingly awful vision for any comic book creation to be ushered into the limelight, the 1950’s were an extremely unenlightened time, sexism and misogyny ran rampant in all areas, and especially the entertainment arena, which included the wildly popular comic book scene.
In 1961, Sheldon Moldoff, alongside Batman co-creator Bill Finger, added Betty Kane to the ever growing Bat-Family as the niece of Kathy, whom upon discovering the secret identity of her crime fighting aunt, persuaded her to train her as her sidekick, resulting in the initiation of Batgirl, long before the mantle was taken up by the arguably more famous Barbara Gordon version of the wildly popular character. Just three short years later though, Batgirl, Batwoman and other popular members of Bruce’s broody band (such as Ace the Bathound and the mischievous Bat-Mite) were removed entirely from Bat lore in a restructure of the Batman universe by new editor Julius Schwartz.
Kathy and Betty Kane remained consigned to creative memory for decades following their shock erasure, that is until their revamped and progressive resurgence through the hands of master scribe and astonishing artist JH Williams III. Reversing the unenlightened and inauspicious history of the characters, Williams delivered to us strong, diverse and sophisticated heroes who could match their peers in Gotham, and finally laid to rest the awful spectre of their past conception. Phoenix like, Kathy and Betty (now renamed Kate and Bette) became a new standard for empowerment in the burgeoning female Superhero market, shrugging off their inception and, especially for Kate, becoming one of DC’s most popular and biggest selling creations.
In fact, aside from sharing similar names, the two variants of Batwoman couldn’t be more disparate if they tried. Whereas Kathy was a fun loving socialite with the hots for Bruce Wayne, Kate is resilient, no nonsense ex military, who, until recently, cast herself independent from Batman and his crime-busting cohorts. Also of note is Kate’s sexual orientation, Kate is a lesbian, and much was made of this revelation at the time with both good and bad press from various media outlets. Ultimately it proved not just a popular move by the creators, but also a defining trait for the character of Batwoman herself, with LGBT groups worldwide heralding the character and Kate ultimately becoming a poster child of diversification and emancipation.
Are You As Excited As We Are For Kate’s Live Action Debut? Then Why Not Sound Off In The Comments Section Below, Fellow Fans Of Fantastic Fiction…