It is with great sadness that we relay the tragic news that legendary British comic-book writer – Alan Grant passed away on July 20, 2022, at the age of 73.
Alan is one of my absolute favourite comic-book authors of all time, I first discovered his inordinate writing talent through Brit comic anthology – 2000AD, where he regaled the readers with his stunning takes on legendary characters such as Judge Dredd and Strontium Dog. But it was his acclaimed run on DC Comics’ Batman and Detective Comics that sealed him as a personal fave in the wonderful world of comics, alongside mainstay artist, the late Norm Breyfogle, Alan produced some of the my favourite tales of the Caped Crusader, it was during this run that he also co-created the rogues gallery characters – Anarky, Victor Zsasz and The Ventriloquist.
Alan was born in Bristol in 1949, but grew up in Scotland. After fleetingly working in a bank, Alan took a trainee position at a local newspaper. At 18 he joined publisher – DC Thomson, home to another classic Brit anthology comic – The Beano, it was during this tenure that he met lifelong comic-book cohorts – Pat Mills and John Wagner.
He moved to London in 1970, and joined publishing giant – IPC, where he worked as a writer and sub-editor, it was here that he was offered an editorial position on 2000AD. Going forward he became one of 2000AD’s most prolific writers with hard edged, anti-authoritarian tales like – “John Cassavetes Is Dead” and “Letter To A Democrat” his writing was inspired by left wing ideology, anarchism and Eastern philosophy. It was in the late 80s’ and throughout most of the 90s’ that Alan worked for DC Comics on their venerable Bat titles and also wrote the celebrated – Judgement On Gotham, the awesome Judge Dredd/Batman crossover alongside Scottish artist – Simon Bisley.
Our thoughts go out to Alan’s family and friends at this very sad time.
Precinct1313’s Top Ten Favourite Comic-Book Covers Of All Time: No.01 – Wonder Woman #72 – Brian Bolland
Welcome once again, fellow fans of fantastic fiction, as our classic comic cover crusade reaches its culminating crescendo! In our previous post we introduced you to the astounding artistic antics of Amanda Conner and her stunning and sassy Starfire cover, this iconic instalment we present the superior skills of the bodacious Brian Bolland and his tantalising tribute to the Themysciran Titan with Wonder Woman #72.
The bombastic Brian Bolland was one of a wave of UK comic creators that during the pinnacle of the popular British comic-book scene in the ’80s was snapped up by larger American comic publishers, such as DC Comics, for their alternate and even irreverent approach to the comic-book medium. Bolland along with other British greats, the likes of Alan Moore and Neil Gaiman, had impacted the popular caped crusading format by adding a darker edge to characterisation, and a satirical approach to storytelling underlined with a scorn for politics and a strong anti-authoritarian vibe.
Brian Bolland is probably best known in the UK for his stellar work on Britain’s biggest selling anthology comic 2000AD, especially his authoritative take on Judge Dredd, for whom his work on said character, for me, will always be the definitive take visually. Inspired at a young age by artistic greats like Carmine Infantino and Gil Kane, Brian would go on to be one of the most widely sought after artists in the USA, with classics under his utility belt such as Batman: The Killing Joke and Camelot 3000 for DC Comics. It was, however, his run as comic cover artist for DC in the ’80s and ’90s that he is most fondly remembered, especially his phenomenal run on Wonder Woman, in fact, like the previous post on Starfire, Brian’s cover illustration for Wonder Woman #72 proved so popular with the fans that a limited edition statue was produced in celebration of his vicarious vision!