Category Archives: Comics
All things comic-book
Salutations my charming comic collecting cohorts, and welcome once more to our continuing countdown of cherished comic cover classics. In our previous post we presented to you the decidedly dazzling drawing dynamics of the delightful Darwyn Cooke and his tremendous take on Teen Titans #5. This impeccable instalment illuminates the absolutely astounding art of Amanda Conner and her sassy and sumptuous Starfire #1 cover.
We have written in length about the astonishing artistic auteur that is Amanda Conner, and over the many, many years that I’ve been an avid comic collector I have encountered hundreds of fantastic artists that have regaled my geeky self with some utterly sublime scribblings, and though I am indebted to all these iconic illustrators for their glorious work, a number have really stood out as favourites – talented individuals such as the great George Perez, Neal Adams, Brian Bolland, Norm Breyfogle, Phil Jimenez and Nicola Scott, picking a fave amongst these would would always prove to be an insurmountable challenge. That was until I discovered the amazing art of Amanda Conner, from that point anybody enquiring as to whom my favourite artist was, would not be able to shut me up as I enthused and rhapsodised over her dreamy drawing delectations… quirky, zany, and instantly recognisable, for me personally Amanda will always be the greatest!
Amanda’s creative career began in the late 1980’s working for companies such as Archie Comics, Marvel and Harris’ Comics on their Vampirella series (which is where I first discovered her phenomenal oeuvre) But it was her work on the sundry female DC characters that led me to fall in love with her adroit artistic endeavours, especially her work with Starfire, Harley Quinn and Power Girl, which all remain (and always will) my absolute favourite versions of those iconic characters.
I love the character of Starfire, have been a huge fan since her inaugural introduction by her colossal creators, George Perez and Marv Wolfman in DC Comics Presents #26 in 1980. Since then I have rallied to read every one of her exciting escapades, with my favourite take on the character being the 2015, 12 issue maxi-series by Amanda Conner and Jimmy Palmiotti, with this post’s feature cover being my most treasured. In fact, I love it so much, I have three copies of it (one framed, one in the collection and one to read… yeah I know – GEEK!) Not only that though, I also purchased the extremely limited (and rather expensive) DC Collectables statue based upon this iconic illustration, and even did my first ever YouTube unboxing video on said stunning sculpture, which you may partake in right below (yep, that’s my disembodied hands of unrivalled unboxing!!)
Why Not Join Us Again Next Time On Our Continuing Chronicle Of Cool And Crazy Comic Cover Collectables…
Precinct1313’s Top Ten Favourite Comic-Book Covers Of All Time: No.03 – Teen Titans #5 – Darwyn Cooke
Welcome back, my colossal compatriots of comic-book collecting, to our continuing countdown of cool comic cover classics. In our previous ineffaceable instalment we introduced you to the astounding artistic auteur, Alex Ross, and his perfectly painted panoramic photo-realistic take on The Justice Society Of America. This effervescent episode we shall once more unveil our trusty Bat-Signal and shine it’s scintillating spotlight on the dazzling and delightfully dynamic Darwyn Cooke, with his tantalising take on – The Teen Titans #5!
Darwyn Cooke was a Canadian writer/artist whose first offering to the wonderful world of comics was in 1985 for DC Comics’ anthology series New Talent Showcase #19. In the early nineties Darwyn snagged his dream vocation as an animator for Warner Bros, and the lead storyboard artist for the Emmy award winning – Batman: The Animated Series, which is where he met the similarly styled artist and show co-creator, Bruce Timm. In 2000, he was hired by DC to write and illustrate Batman: Ego, a graphic novel that explored the traumatised mind of Bruce Wayne and his fragile psyche. It was a phenomenal hit, and Darwyn’s epic retro tinged art, a modern interpretation of classic 30’s and 40’s golden age comic-book stylings, became an instant hit with fans, which led to Darwyn being inundated with offers for work.
In 2004, Darwyn started work as both writer and illustrator on the six issue mini-series – Justice League: The New Frontier, which was the perfect opportunity to showcase his retro reverie because the subject matter matched his unique art style. New Frontier was set in the 1950’s taking place in an alternate version of the cold war, taking inspiration from novels such as The Right Stuff by Tom Wolfe, the civil rights movement and atomic bomb testing. This series was once again a huge hit for Darwyn and won him the exclusive Eisner award, and was later turned into an astonishing animated movie for which Darwyn co-scripted and provided art direction.
Regrettably Darwyn passed away in May of 2016 after a secret battle with cancer, he was a mere 54 years young. Darwyn is one of my absolute favourite artists, his unique and lively retro style make his work stand-out from an overcrowded comic-book market, instantly recognisable and just plain fun to look at, his tremendous talent is sorely missed.
Why Not Join Us Again Next Time, Fellow Fans Of Fantastic Fiction, For Our Continuing Countdown Of Cool And Crazy Comic Cover Collectables!
Precinct1313’s Top Ten Favourite Comic-Book Covers Of All Time: No.04 – Justice Society Of America #26 – Alex Ross
Welcome once more, oh peerless Precinct purveyors of phenomenal paintings in print, to our continuous countdown of cool comic cover collectables. In our earlier exciting episode we introduced you to the stunning skills of the superlative Stanley Lau and his titanic take on Wonder Woman. This efficacious episode we shall be shining our trusty Bat-signal on the astonishing artistic aesthetics of Alex Ross, and his perfectly pencilled panoramic take on – Justice Society Of America #26.
Though this is technically three covers, each of these magnificent masterpieces interlock to regale the reader with Alex’s peerless painterly realism, bringing these otherworldly beings a sense of verisimilitude like no other artist before.
Nelson Alex Ross was born in Portland, Oregon in January 1970, though he was raised throughout his formative years in Texas by his minister father and mother who was a successful commercial artist, from whom her received his initial inspiration and love of the arts. Alex has always attested that the biggest impacts for his unique comic art style were John Romita, George Perez and Neal Adams, whose techniques he attempted to imitate when he started drawing on a more serious level in his teens.
Alongside these maestros of comic-book art, Alex also had an attachment and love for the realistic stylings of Norman Rockwell, with his work often cited as being a cross between both Perez and Rockwell, giving us an almost unmatched hyper realistic form of absolute extraordinary comic art. His first comic-book after graduating from the American Academy of Art in Chicago was for Now Comics’ Terminator: Burning Earth, a five issue mini-series released in 1990. In 1996, Alex teamed up with writer Mark Waid for the DC series – Kingdom Come, Alex’s work on this seminal series was a massive hit with fans and critics alike propelling him into an almost overnight sensation. Alex continues to work in the comic industry today, with his adroit artistic style in huge demand amongst the biggest publishers in the field including DC Comics, Image, Dynamite, and Marvel.
Why Not Join Us Again, Oh Fellow Fans Of Fantastic Fiction, For Our Continuing Countdown Of Cool And Crazy Comic Cover Collectables!
Precinct1313’s Top Ten Favourite Comic-Book Covers Of All Time: No.05 – Wonder Woman #51 – Stanley Lau
Welcome once more, oh fellow fans of fantastic fiction, to the Precinct’s capacious and compelling continuous countdown of cool comic cover collectables. If you partook in our previous post, you’ll remember that we celebrated the titanic talents of the astounding Amy Reeder Hadley, and her radiant rendering of Madame Xanadu. This inspirational instalment we shall acquaint you with the sublime skills of Stanley Lau, one of the very finest artists currently working in the field of comic art, and his stellar take on the Themysciran Titan with – Wonder Woman #51.
Astonishing artistic auteur Stanley (Artgerm) Lau is a Hong Kong born illustrator and designer and co-founder of Imaginary Friends Studio, an acclaimed art studio that has produced work for the likes of DC Comics, Capcom and Marvel. Stanley is best known by his sobriquet – Artgerm, with his art faultlessly blending both eastern and western art styles, giving his wonderful work a unique and easily recognised quality almost unmatched by his peers.
As a cover artist, Artgerm has been both lauded and loathed by yours truly… lauded because every single time I see a new cover by this maestro, I just have to buy it, because it’s gorgeous! and loathed because every single time I see a new cover by the sagacious scribbler, I just have to buy it, and it’s getting really bloody expensive! The Wonder Woman #51 cover is without a doubt my absolute fave cover by Artgerm, that said it was a close tie with three other covers (pictured below), all depicting the great Kara Zor-El (better known as Supergirl) he seems to capture the carefree, insouciant charm that Kara exudes better than any other artist I’ve ever encountered, and we are honoured to induct him into the Precinct’s top ten comic-cover hall of fame!
Why Not Join Us Again Next Time, Fellow Agents Of Precinct1313, For Our Continuing Celebratory Countdown Of Cool And Crazy Comic Cover Collectables!
Precinct1313’s Top Ten Favourite Comic-Book Covers Of All Time: No.06 – Madame Xanadu #6 – Amy Reeder Hadley
Welcome back, fellow fans of fantastic fiction, to the continuing countdown of our absolute favourite comic-book covers of all time. In our earlier ebullient episode we introduced you to dynamic Dave Gibbons’ perfectly phantastic pictorial of The Phantom! This impeccable instalment will highlight the astonishing Amy Reeder Hadley, most prominently her stellar work on Madame Xanadu, with this celestial cover for Disenchanted #6.
Eisner award winning artist Amy Reeder was first discovered by the Tokyopop imprint for whom she wrote and illustrated the popular manga – Fools Gold. Amy went on to work for powerhouse publisher DC Comics, where she was commissioned to illustrate the Madame Xanadu series alongside superstar scribe Matt Wagner. She also was the penciller for DC on Batwoman, and the cover artist for Supergirl before making the transition to Image Comics where she co-created the character – Rocket Girl.
Madame Xanadu was created by David Micheline, Val Mayerik and Michael Kaluta in 1978, making her inaugural appearance in Doorway To Nightmare #1. Xanadu became a well loved mainstay of the mystery series, with the monthly horror anthology eventually paving the way for DC’s adult supernatural imprint – Vertigo.
Disenchanted was the initial ten issue story arc that ran through Xanadu’s monthly exciting escapades, originally released in 2008, written by legendary Grendel creator, Matt Wagner. The vivacious visuals employed by Amy throughout this superb series helped form a very real emotional attachment to the character of Nimue (Xanadu). Amy is an extremely versatile artist and this ultimately shines through in a story that encompasses many eras throughout human history, which meant Amy had to render everything from medieval castles through gritty and grimy London in the 1800’s and beyond, all of which she accomplished with ease thanks to her exquisitely consummate talent.
Why Not Join Us Again Next Time, Fellow Agents Of Precinct1313, For Our Continuing Celebratory Countdown Of Cool And Crazy Comic Cover Collectables!
Precinct1313’s Top Ten Favourite Comic-Book Covers Of All Time: No.07 – The Phantom #1 – Dave Gibbons
“I swear to devote my life to the destruction of all forms of piracy, greed, cruelty and injustice, and my sons and their sons shall follow me!”
And with that astonishing axiom… The Phantom was born! Welcome back, fellow fans of fantastic fiction, to the continuing countdown of our absolute favourite comic-book covers of all time. In our last entertaining episode we shared the work of the Bat-tastic and inimitable Norm Breyfogle, and his resplendent representation of the Dark Knight on the cover of Batman #465. This time we’ll be exploring the infamous Skull Cave, deep in the heart of the jungles of Bangalla, as we celebrate Dave Gibbons’ ‘phantastic’ Phantom #1 cover which first released in May 1988.
The Phantom was created by Lee falk in 1936, which makes his dynamic debut an incredible eighty five years ago… cementing him as the world’s original Superhero, a full two years before Superman first soared across the skies! Falk was an American writer and artist who had previously created the character, Mandrake the Magician in 1934, before going on to create The Phantom a mere two years later.
Lee Falk was born in St Louis, Missouri in 1911 and spent much of his youth there, he was a gifted writer and pitched his idea for Mandrake to King Features Syndicate. Falk was a huge fan of stage magicians, and actually based the look of Mandrake on on himself. The Phantom sprang from Falk’s unfailing love of myths and legends, such as King Arthur, plus popular fictional creations including two of his favourites, Tarzan and Robin Hood. (P1313 fun facts: Bill Finger, co-creator of Batman was a huge Phantom fan and used ideas such as the Phantom’s Skull Cave and loyal retainer – Guran, as inspiration for the Batcave and faithful father figure, Alfred!)
Kit Walker is The Phantom, 21st in a lineage of costumed crimefighters that first began in 1536 when the father of British sailor Christopher Walker was killed by the Singh Brotherhood. Swearing an oath on the skull of his father’s murderer he became the first Phantom, beginning a legacy that would pass on from father to son for generations. The outside world though believed it was the same man, an immortal, a Ghost Who Walks, fighting injustice, piracy and greed from his secret Skull Cave, in the jungles of Bangalla. Fighting alongside his pet wolf – Devil, and his trusty steed – Ghost, the Man Who Cannot Die, instils fear in the corrupt, and hope to the innocent, in his never ending pursuit of the evil that men do!
Why Not Join Us Again Next Time, Fellow Agents Of Precinct1313, For Our Continuing Celebratory Countdown Of Cool And Crazy Comic Cover Collectables!
Well hey there fellow agents of Precinct1313, and welcome once again to our annual Geekstravaganza! Our celebratory destination is, as ever, the Precincts famous ‘Halls of Quaffing’ where we shall ultimately gather to rid ourselves of what, lets be honest, was an interminably intense and excruciating year. But, let’s forget about that for now and make our way down through this majestic mansion of mystery’s convoluted and ever changing corridors and chambers and stop by the colossal Comic Crypts to celebrate the year of glorious geekdom!
Our Favourite Comic-Book Series: Wonder Woman – Dead Earth
DC Comics’ Black Label series has been a fantastic phenomenon, a line of limited series aimed at the more mature market that began with the bombastic Batman: Damned, and then continued to build upon that success by regaling us with even more classic characters in this distinctly adult line, with this particular stunning series focusing on our absolutely favourite hallowed Hellenic herald, Wonder Woman.
Wonder Woman: Dead Earth is a four issue mini-series written and illustrated by Daniel Warren Johnson, and is my first ever encounter with the writer/artist, and I must say after this seminal series, I am now a huge fan. This comic is the perfect parable for the world we reside in today, encompassing climate change, oppression, racism and tribe like mentality, with even Wondy herself struggling to stifle the causes of these worrisome traits. Grim, dark and gritty, but ultimately a tale of optimism and mutual respect for the planet that nurtures us and our fellow species. Highly recommended!
(Fave comic-book runners up – Wonder Woman: Tempest Tossed, Zatanna and the House of Secrets)
Favourite Comic-Book Movie: Birds Of Prey
That’s right fellow fans of fantastic fiction, the hellacious Harley Quinn teamed up with the bad-ass Birds of Prey for Cathy Yan’s glorious take on one of DC’s most beloved franchises. Margot Robbie was born to play the role of the clown princess of crime and once again gives a remarkable and laugh out loud turn as the long suffering sociopath, ably supported by Mary Elizabeth Winstead as The Huntress, and a perfect performance by Jurnee Smollet-Bell as Black Canary, plus, if that wasn’t enough of a geek overload, narcissistic psychopathic crime-lord Black Mask was expertly brought to vivid life by brilliant British thesp, Ewan McGregor. A deliriously fun and fourth wall breaking delight, Birds of Prey is an absolute must watch! (May I just say, at time of writing this, I haven’t yet seen Wonder Woman 84, due to pandemics and closed cinemas, but will hopefully reverse this in early 2021)
Favourite Statue/Toy I Personally Purchased: Bombshells Death Statue
You know what, I have way too many statues, action figures and toys, so many in fact that some are still retained in their boxes through lack of space. It’s a shame I know to keep such gloriously geeky works of art in their packaging, but I have literally zero willpower, and whenever I encounter another cool collectable, all reasoning and monetary value goes out the window as my inner child takes over, and I buy yet another awesome addition to add to my overwhelming pile of geek. That said, the Death statue was whipped out of her protective polystyrene tout suite, because it is quite possibly one of the most beautiful pieces I have yet laid eyes upon. Based upon the Endless version of the Grim Reaper, Death is a favoured character of mine, so she now resides upon the fabled Superlative Shelf of Superhero Statues alongside the other spectacularly sublime sculpts. And just how much geeky toy goodness have I managed to stuff the Precinct with, see below for just a small glimpse into my fevered collecting brain…
And there you have it fellow agents of Precinct1313, a few of the things that have helped me personally cope with this torrid year. What has brought you personal joy throughout 2020? why not sound off in the comments below. May I just say a huge thank you to everyone who has visited, commented and followed the Precinct over the past twelve months, it’s really, really appreciated. And so… Happy New Year!
Oh, And As Ever… Make Mine DC!
Precinct1313’s Top Ten Favourite Comic-Book Covers Of All Time: No.08 – Batman #465 – Norm Breyfogle
Welcome back fellow fans of fantastic fiction to the continuing countdown of our absolute favourite comic-book covers of all time. In our last enthralling episode we introduced you to the illustrious illustrations of the sublime Phil Jimenez, with his terrific take on Lynda Carter’s classic Wonder Woman, this time we shine the Bat signal on one of the of the mediums most defining artists to have ever rendered the Masked Manhunter, the late, great, Norm Breyfogle.
As I have mentioned many times previously, I have been a fan of the big bad bat since I was a mere six years of age, and looking back on all the wonderful writer/artists that have brought their seminal talents to the bombastic bat mythos over the past eight decades, one compellingly creative combo stands out from the crowd for this particular Bat-fanatic, Alan Grant (the Brit comic-book writer, not the dinosaur dude!) and inimitable illustrator – Norm Breyfogle. Together, this dynamic duo blew this particular fan’s Bat-socks off by creating some of the greatest Batman tales ever put to paper through their long and varied run (six years in fact) on both Batman and its sister publication Detective Comics. Norm’s style suited the dark and surly one to absolute perfection, angular, gothic and almost Germanic in its form, he would go on to set a precedent for how we view the look of The Batman today.
Norm will always be my personally preferred purveyor of everyone’s favourite nocturnal pointy eared vigilante, sadly though Norm was taken from us in October of 2018 after suffering heart failure at a mere 58 years of age. RIP Norm, we’ll always have your absolutely astounding artwork to remember your tremendous talent, and you were destined to make this list, for being quite literally, one of THE greatest comic-book artists of all time, and an outright gentleman to your fans and peers.
Why Not join Us Again Next Time, Fellow Agents Of Precinct1313, For Our Continuing Celebratory Countdown Of Cool Comic Cover Collectables!
Precinct1313’s Top Ten Favourite Comic-Book Covers Of All Time: No.09 – Wonder Woman 77 Special: Phil Jimenez Variant
Welcome back fellow fans of fantastic fiction to our top ten countdown of the Precinct’s absolute favourite comic-book covers of all time. With well over eight enthralling decades of comic-book publishing and literally millions of cool comic cover collectables, it’s been an arduous task picking out just ten (even the 12 labours of Hercules pale in comparison to this epic odyssey!) Our first perennial pick was Bill Sienkiewicz’s haunting variant for Frank Miller’s epic Batman return with Dark Knight III. However, this enraptured episode focuses on one of my favourite Wonder Woman artists of all time, the masterful Phil Jimenez and his esteemed take on the illustrious icon that is none other than sensational seventies superstar, the lovely Lynda Carter, with Wonder Woman 77 Special #1.
The fantastic Phil Jimenez has been writing and drawing comics since 1991, and has spent a large swathe of his career working for DC Comics and has, over time, created some of their greatest ever storylines with absolutely astonishing paradigms including such gems as – Infinite Crisis, The Return Of Donna Troy and Teen Titans, but it is the Themysciran Titan that Phil’s outstanding oeuvre is still staunchly synonymous with.
Phil is clearly influenced by his (and one of my) idol the great George Perez, and was delighted when he was taken onboard as the ongoing writer /artist for Wonder Woman beginning in issue #164 in 2001, and would continue in this creative capacity for a full two years, defining that run as one of the greatest in WW’s long and varied history. Phil is also an eternal enthusiast of Lynda Carter and her terrific take on Diana Prince, so was the definitive choice as the cover artist for this WW77 variant, and it is glorious!
Why Not Join Us Again Next Time Fellow Agents Of Precinct1313 For Our Continuing Celebrative Countdown Of Commendably Cool Comic Cover Collectables!
Precinct1313 welcomes all it’s loyal agents to rousing revelry and much celebratory carousing in the majestic mansion of mystery’s ‘Great Hall of Quaffing’ (Eldritch, our resident carrion crow of woe will show you the way, it’s near the end of the Corridors of Collation, just take a left at the Comic-Book Crypts, if you reach the Mortuary of Movie Mayhem then you’ve definitely gone too far) But before we take our seats at the titanic table of terrific tales and indulge in holiday merriment how about a quick jaunt through the Ancient Amazon Archives to catch up with our favourite Themysciran Princess’ festive adventures.
We have some absolutely Classic Wonder Woman here my astonishing Amazonian associates, Sensation Comics #38 was published in December 1944, written by WW’s genius creator William Moulton Marston and illustrated by the legendary Harry G. Peter. We follow our heroic Hellenic herald as she decides to play Santa in a notoriously poor and downtrodden neighbourhood, to bring some festive cheer to a local orphanage. Upon arrival the Themysciran Titan accidentally stumbles across a nefarious plot to rob the US treasury, with the events quickly escalating to a hostage situation involving the children themselves.
December ’44 was a busy month for the delightfully dynamic duo of W.M Marston and H.G Peter as they also presented us with the festive edition of DC Comics’ timeless ‘Comic Cavalcade’, comprising three tenaciously terrific tales and a cadre of classic characters that includes The Flash (original Jay Garrick version) Green Lantern and, of course, our illustriously immortal idol Wonder Woman!
Sensational seventies superstar Wonder Woman, the lovely Lynda Carter came face to face with ‘The Deadly Toys’ in a holiday themed episode of the scintillating seventies show that formed part of the second season and aired in 1979. Once again penned by Wondy’s ceaseless composer of creation W.M. Marston (writing under his oft used pen name of Charles Moulton.)
This effervescent episode found the wondrous one investigating a suspicious toy maker (played by none other than sixties Batman villain – The Riddler’s Frank Gorshin) who had replaced three scientists with his own android creations after they refused to create a weapon of mass destruction known as Project XYZ. As Diana nears the source of her investigation, the dastardly Toy Maker whips up his own android version of Gaea’s Glorious Gal, and the two Wonder Women engage in a (delightfully camp) fracas, only in seventies Wondy can Hula Hoops become weapons of mass destruction!
Happy Holidays Fellow Agents Of Precinct1313, And How About We End With A Few Festive Felicitations From The Batman Himself…
Well, What Did You Expect… it’s Batman!!
Precinct1313’s Top Ten Favourite Comic-Book Covers Of All Time: No.10 – Dark Knight III, Bill Sienkiewicz Variant
Welcome fellow fans of fantastic fiction to our top ten countdown of the Precinct’s favourite comic-book covers of all time. As we near the end of a rather interminable and excruciating year, let’s relax for awhile and take in some absolutely astounding art from some of the coolest creators in comic history. At #10 stands the bombastic Bill Sienkiewicz’s hauntingly beautiful variant cover for Frank Miller’s mythic return to Batman with – Dark Knight III: The Master Race.
The original Dark Knight Returns saga by Frank Miller was a defining moment for The Batman, Miller’s alternate take on the much loved Superhero cast the character in an even more extreme grim, gritty and violent setting, with the caped crusader himself a dour and sullen character whose inner demons continually haunt him as the weight of age and a life of brutal violence takes its toll. We follow an ageing Bruce Wayne as he struggles with these psychological demons, and attempts to hold back his rage and inefficacy through alcohol addiction and suicidal abandon of his life through varying extreme motor sports.
Miller’s authoritative 80’s series, alongside classics – Watchmen and V For Vendetta, shook up an atrophying comic book industry and presented a more adult and psychologically emotional depth to Superhero comics, defining the future of the industry in a monumental way.
Miller returned to his raison d’etre in the 2001 follow up mini series The Dark Knight Strikes Again, yet, unlike its groundbreaking predecessor, this was not favourably received by fans or critics alike (myself included) the book was little more than a parody of previous events, and Miller’s artwork had taken a severe downturn in quality.
Jump forward 17 years and Dark Knight III: The Master Race debuted, the newest chapter in the alternative Bat-verse, and it was… mostly OK, I guess, unfortunately the original series was such a phenomenon that any subsequent take has fared rather badly, unable to match the originals magnificence.
That said, there were some defining moments (mostly visual) in this ongoing series that certainly took the breath away from this particular Bat-fan, and this gorgeous Bill Sienkiewicz variant cover is one of those marvellous moments. It sublimely evokes a man haunted by his past, a broken figure who has ultimately accepted his failing to protect the city and people he loves, yet will fight on even though it almost certainly mean his own demise… this image, to me, defines The Batman irrevocably, and contains more emotional substance than both the second and third chapters of the Dark Knight trilogy put together.
Why not join us again next time fellow agents of Precinct1313, for our continuing countdown of commendable comic cover collectables!
Suffering Sappho! the torturous wait for the sequel to Gal Gadot and Patty Jenkins’ dynamic 2017 Wondy debut is finally (finally!) coming to an end. Its original release date was set for December 2019, then later moved to June 2020, but during this time, the world went rather topsy-turvy with the Covid pandemic shutting down the planet as we knew it, including cinemas… so no Wonder Woman for you then (sob!) But, in less than eight days (in the UK at least) Diana will once again don her golden lariat of Hestia, and bullet deflecting bracelets formed from the sacred shield of Aegis… and kick major Cheetah butt!You probably realise by now that we are huuuuge Wonder Woman fans here in the Precinct, she is our absolute favourite comic-book character of all time, so the delay has been almost unbearable, but, as previously mentioned, in eight short days that interminable intermission shall be over and we shall once again bask in the golden light that is Diana of Themyscira. So, to help pass the time and ramp up our excitement even more for Wondy’s return (not sure if possible!), we thought we’d share with you, our astonishing Amazonian associates, some of the latest screenshots, posters and trailers of the Themysciran Titan’s newest odyssey… by the mighty horns of Amalthea, it’s going to be legendary!
Diana dons her legendary Golden Eagle Armour to fight arch-enemy, Cheetah! (P1313 Fun Fact: The Golden eagle Armour made it’s first ever appearance in Mark Waid and Alex Ross’ fantastic 1996 series – Kingdom Come)
Kristen Wiig as Dr Barbara Ann Minerva and in full feral form as Wondy’s nemesis, The Cheetah! (P1313 Fun Fact: There have been four variants of Cheetah since her first ever appearance in Wonder Woman #6 in 1943, With Babs Minerva resolutely being the all time favourite amongst fans)
Merciful Minerva! Are you as excited for WW84 as we are here in the Precinct? Then why not sound off in the comments below, my absolutely astounding Amazonian affiliates!
(Warning: Alliteration Avalanche Ahoy!)
Felicitations fellow fans of fantastic fiction, and welcome once more to a cornucopia of cool comic cover collectables!
Now, imagine the scene, it’s been at least five weeks since yours truly has darkened the doorstep of my local comic-book emporium due to a month long country wide lockdown in the UK, and so, upon setting foot in my dream laden store of choice (dream for me, absolute nightmare for my wallet and bank account!) I am confronted with a legendary landslide of a pull list, this peerless pile was so large I assumed we’d entered into an eclipse, as the sun itself was blocked by this mammoth mountain of marvellous manuscripts!! Of course, me being me, and not satisfied with this crushing cavalcade of comic coolness,I dangerously (again, for my weeping wallet and bawling bank account) and passionately peruse the shelves to add yet more terrific tomes to this overtly overwhelming onslaught of comics, already large enough to cause the world to spin off its axis, when I spot the impeccable illustration residing on this months DCEASED: Dead Planet #6.
Instantly falling in love with the astonishing artwork, I couldn’t help but add this to the already precarious pull list. Based upon the peerless posters for DC’s live action version of Shazam, but replacing Billy Batson with Mary Marvel (okay, okay, she’s technically known as Mary Shazam now!), a character I love, this vaunted variant by the bombastic Ben Oliver was fervently fitted into a frame and placed promptly into the Precinct’s colossally cavernous Comic Crypts.
“The remaining heroes of the DC Universe are stuck between hell and a hard place! With the Justice League racing against the clock to create a cure, the cruel masters of the southern garden are determined to wipe all anti-life from the planet. And, just when you thought it couldn’t get any worse… the war to save the Earth takes a devilishly new direction, Trigon is coming to end the world, as hell is long overdue its payment in souls!”
DCEASED: Dead Planet #6 is available at your local comic-book emporium right now!
Became A Crouton!
Hola my absolutely astonishing Amazonian associates, and welcome to the very first episode of – That Time Wonder Woman… a brand new ongoing chronicle of the Themysciran Titan’s strangest and most obscure adventures across the past eight enthralling decades of Diana’s reputable reign as THE queen of female superheroes. Beginning with this surreal soup de jour – Wonder Woman #217 from January 1975.
Over the past seventy nine years the scintillating scion of the sublime known as Wonder Woman has graced our lives with her ongoing odyssey to spread the message of hope, love and empowerment.
Throughout this formidable reign she has battled the causes of all societal ills including misogyny, racism, and poverty, but also… Gods of War, Tri-headed Demonic Dogs, Minotaurs, Alien Invasions and more. But do you remember that time she – became a surrogate mother to a dinosaur, fought a giant sentient egg (!?) teamed up with her teenage and toddler self to fight Mer-men, and, at one point, even took a job as a coffee shop barista to pay her rent… you don’t? well allow Precinct1313 to regale you with these outlandish tales and more through this surreal series, and introduce you to this oft overlooked wild and wacky world of wonder.
Wonder Woman Vol 1 #217 encompasses three tantalisingly terrific tales of the Themysciran Titan, including our cover story – The Day That Time Broke Loose. This crazy caper finds Wondy team up with the Emerald Archer – Green Arrow to fight that mighty master of illusions – The Duke Of Deception.
The hilarious hi-jinks included in this eccentric excursion include such delirious delights as, Diana believing she has used her golden lasso to truss the tenacious trickster, only to find that it is she herself that is entangled within her legendary lariat of Hestia. Green Arrow becoming so confused by the diabolical Duke’s mental malarkey he turns to hypnosis performed by none other than The Batman himself (I mean, is there anything the Bat is incapable of?) to set him straight, oh, and, a large bowl of soup with our heroic Hellenic herald as seasoning!!
Merciful Minerva, what a melodious mix of mirth and mayhem, yet in the wild world of weird Wonder Woman waxings this particular parable is rather run of the mill. So why not join us next episode on our ongoing obscure and outrageous odyssey with – That Time Wonder Woman…
DC Comics’ new limited series The Other History Of The DC Universe is phenomenal, a must read and an important milestone in comic book diversity. Now, I could, in all honesty end the post with just that minor amount of information on this fantastic debut issue and just urge you all to go out and purchase this landmark comic-book, but, this John Ridley penned epic series is so deserving of praise that I shall continue to heap on as many superlatives as I can manage to muster up.
John Ridley is a screenwriter, novelist and producer of American Crime and the superlative biographical period drama 12 Years A Slave, and with this new mini-series turns his formidable literary talents towards traditionally marginalised characters such as Thunder, Mal and Karen Duncan, Renee Montoya and Katana, with this inaugural issue focusing on Jefferson Pierce, also known as the electricity infused meta-human – Black Lightning.
The series doesn’t conform to the atypical comic-book format, but reads like a visual novel, a pictorial prose if you prefer, with the flow of the story presented in a diary/memoir style from the perspective of Jefferson. Taking place between 1972 and 1995, we follow Jefferson’s maturation from young man to eventual athlete, teacher and finally superhero in his subsequent Black Lightning form.
Through Jefferson’s perspective we witness the consequent escalation of DC’s heroes including the trinity of Batman, Wonder Woman and Superman, with Jefferson struggling to comprehend why beings of such power can’t seem to tackle widely prevalent social injustices, poverty and discrimination, when they are so readily able to stop alien invasions, marauding gods and overtly powerful SuperVillains. It is here that Jefferson marks what makes a real hero, utilising both his ability as a teacher to enlighten and shape his pupils to help fight back against intolerance and iniquity, and his heroic Black Lightning persona to take that fight to the oppressors themselves.
John Ridley’s phenomenal prose is accompanied by some wonderful visuals courtesy of Giuseppe Camuncoli and Andrea Cucchi, and perfectly encapsulate the differing visual styles of each era of DC and Black Lightning’s lengthy comic history.
Ridley’s “Other History Of The DC Universe” is absolutely an astounding chronicle, a beautifully written and adaptive work of visual prose that deals in highlighting the Superhero perspective from marginalised and disenfranchised minorities, the unusual approach to the comic book itself both verbally and visually is refreshing and I for one cannot wait to indulge in the next four issues of this wonderful series. Highly, highly recommended!